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“Wonderful,
superbly - excentric and complex bright enchantment. Admiringly
yours...”
BARBU BREZIANU,
historian and art critic, a specialist in Constantin Brancusi’s
work
“My
best congratulations for this magnificent exhibition - show
and for the superb works of an artist I admire very much”.
Anna Blefari Melazzi
the Ambasador of Italy,
6 th october, 2001
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“The
fourth dimension...”
“...The essential proof of intelligence that the artist
gives in his escapefrom the glass sculptures consists precisely
in his escape from the influence of outer and in determining
the material to manifest itself in a multidimensional manner,
mainly Brancusian, that is nondistructive, nongravitational
and transparent beyond the translucence of the glass, and
there would be a lot to add on this subjects, Alexandru Ghildus’s
sculpture
is completely atypical... Stylistically as a whole, formally
spectacular, coherently thought, innovative and impeccably
clean technically speaking, Alexandru Ghildus’s work
is a proof of strength concerning the artist’s relationship
with his own limits and, at the same time, the material’s
cold limits. Secondly, and this is the most important, Alexandru
Ghildus’s sculpture defies the laws of physics, themselves,
the way classical sculpture has written them for thousands
of years, and besides thosee three well-known dimensions -
height, lenght, width -it also experiments a new one, namely
the depth, wich is not an outer space coordinate, but one
of the inner substance. The artist knows perfectly well his
material, he knows its spirit and its behavior and the stress
falls on the inner dimension it has, wich is not a coincidence
nor a simple quotation of the nature of substance, but a voluntary
component of the creation fully assumed and a long time prepared”.
PAVEL SUSARA
Historian and art critic
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| “Mr.
Alexandru Ghildus’s exhibition is an explosion of light
into and through glass, an occasion to discover the spectrum
of soul and colour components”
ADRIAN NASTASE
Prime Minister of the
Romanian Government,
10th of october 2002
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“Explorer
of the contemporary art pulse, an creator simultaneosly acting
in the field of objects, graphic arts, sculpture, painting
and interior art, Alexandru Ghildus is one of the million
artists wich along thousands of years have been fascinated
by the transparence, fragility, sensitivity and warmth of
materials. Resorting to perfectly adjusted techniques and
techonologies, Ghildus creates a clear and pure form, a form
without prejudice and with deep meaning. In sculpture and
ambient art, Alexandru Ghildus introduces monumentality
by means of the harmony brought about the use of light - filtered,
decomposed and recomposed - according to a specific algorithm.
The graphic image is reduced to sketch, and the object takes
plain shapes deeply rooted in the age-old tradition of mankind.
Alexandru Ghildus is a reformer. In his vision, the hammer’s
end should caress the palm, the table lamp should be a small
sun brought into the room, the chair should hospitably embrace
the human body, and the eye should enjoy looking around. Mastering
the mechanisms secrets, artist of impeccable form, deeply
analyzing the purpose and role of the object he is creating,
Alexandru Ghildus offers the user moments of high reflection.
Stirring in the adult the same joy in working as the child’s
amusement
in discovering the worrld around, and in the child the researcher’s
mature interest and eagerness to understand the meaning of
things, Alexandru Ghildus is a magician whose geniune witchcraft
is just the fruit of his passion, of his joy of understanding,
of his curiosity, and of course, of his love for human being
as well as for the amorphous material in wich he perceives
a sparkle of life wich yearns to be brought to the surface”.
Excerpts from a text written by the
art critic Radu Ionescu, 2001
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